سینمای آوانگارد

سینمای آوانگارد

روبر برسون : محمدرضا اصلانی
سینمای آوانگارد

سینمای آوانگارد

روبر برسون : محمدرضا اصلانی

We're dialectic



The first group Cinematograph Act


Groups in the nature of cinema itself , " Robert Bresson " and "mohamadreza Aslani " and "Yasujirō Ozu" " Jean-Luc Godard " and "Glauber Rocha" and " Chantal Ackerman " and "Roy Andersson" and " Julio bressane " and " Marcel Duchamp " and " Man Ray " and "Fernand Léger" and "VAL DE LO MAR" and "Zwartjes_ France " and " Nelson Pereira dos Santos " and ... Article 7 for themselves and follow the law as it is .Wholly radical principles ( and at the same time escape format ), speaking of faith ( not religion ) and a life of contemplation . Wants to understand the basics of faith and understanding . Why the slippage in the vote itself is sterile dialectic . And wants and anti- thesis of dialectic . We suggest that a few corollaries are . Objects are object-oriented. And the time interval. A binding activator.

Third on the backs of their hands ( bare bare bare the " Dos Santos " ), a third heart mohamadReza Aslani and Yasujirō Ozu and Robert Bresson . Julio Bressane that was ridiculed in the " aesthetics of hunger "

They all share one thing : escape

Our first principle is: escape . The custom of imposing censorship and humiliation .Another argument is that apart from the aesthetic and the opportunity is here.

Our approach is to escape the limitations of the rulers mocked , even if we do not have any effect on the theater ( And now that we're 6 years . )

Our training is inherently opposed to the brutish! Film makers like actors in the mirror illusion refugees are overwhelmed by Jean Genet . These are used . Like Kleenex are seemingly rosy. But are made from waste cartons . Listen to it and the object. Passive and inert. The smell of putrefaction and decay thoughts ...

Ironic that those rights ? Who is the underdog and the powerless tilling rights of withdrawal , how ... They gave us a theater of oppressed women, said on !However, the. The brutal attack in their first start .At the most basic image may depict women are somehow anti-democratic.The most private aspects of the lives of poor women to represent the most general form. In fact, a male and a pre-defined structure. She works in bed with signs that say they are in public places. These are public buses to bed and one woman is a woman with a tent (preferably black) in Dreams! Or just sleeping girl (negligence) against the Mirror (Image Genet Remember) will imprint his face with a scarf and a head cover that might arise. If we all ogle .

Maybe we are ignorant underdog! We do not work on behalf of the Real or Barcelona? (Barcelona very surreal to read!)

And as if insane world are equal. In fact, these hollow bones, the brain, the women even basic decisions - while sleeping alone - (animals in this advanced, there are women) are excluded, it is also full of tears in the rain. Weak and incapable.

This is a place for women and we think that we have always known them to cover and incubate them to determine . And female means. You do not have the ability to depict the truth because it is the most private aspects of human life? Why women sleep during the show ? It looks dwarf is rooted in TV and limitations . Our director, consumer-oriented and basically means " generation " knows, this restriction is captured .

Rather than wait a few craft ... And find a way to escape their Quickly falls into the trap of stereotyping and loves to Stupid character . Politicians Encourage They are awarded to and they are more Stupid to eat again . And to highlight the authoritarian structure .

She loves being a fool always a fool because he is a great inspiration. Nor Yılmaz Güney and Jean-Luc Godard nor Jorg Muller.

Standing is our tenet . On the form. Although we have love in my work and private lives of women, men and angels . That way, are rather arbitrary way : False .

We Self-made man and woman as well. We do not build her a new man ( forged ). We build relationships ( veritable ) and objects . Our creations .

First we have the anti- fascist and autocracy . Instead , women do not think ... Do not let the crying woman and Sentimentalism . Because its subject is a woman , not a sexual object and Consumable . ( As Calls for the exploitation show )

Bringing tears to the audience , not the woman . She is their lack of actions . There is no effect . He is not constructive , and always carries , according to Laura Mulvey .

Objective mere presence , the commodity is a commodity that only the eye is at risk of being seen . Woman trying to eat only at breakfast and frying meat and fish is . It is said that the kitchen theater . Images without even implicate the no ! It is different from Ackermann works Image female who wants to do routines in a structure . , And the woman bearing the author and not the interface . He gives meaning and perception , and the perception .

Group cinematography of his first work, " The Diary of a Young Girl " To the film " My perception of " claim against the stereotype goes . No doubt, but mohamadReza Aslani and his understanding of our impact on the judges and critics difficult. There is also a discussion of narcissism and delusion . The problem is simple: the referees themselves caught in the limitations Television ... Critics and referees who unknowingly and unwittingly the Anti -Fascist promote human and why we work from the likes of " Green Fire " enjoy ? The " Green Fire " will close all avenues of pleasure rotten mind . Wajda as familiar with festering sores Aslani audience not only makes the calls Break spell. Nature fights and cinematography . (We 're not in a revolutionary form of political and economic issues , etc. It is our job a little bit different than dos Santos and rocha )

Article 6 further Oriented form aspects will be studied at the same time as making later works . But the cinematography is an inherent element of stationary flight 

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